CURRENT EXHIBITION
Rewinding Roots,
Return to Ground
Angelina Diana and Amy Shelton
August 9 - 30, 2025
Reception
August 9, 5 - 9 pm
Opening Reception
August 9, 5 - 9 pm
Gallery Hours
Sunday August 17, 12 - 4 pm
Saturday, August 23, 12 - 4 pm
and by appointment
Art Outposts: Community Platform
June 14 - September 5, 2025
STNDRD, Granite City Art District, Granite City, IL
Reception June 14, 6 - 8:30 pm
Art Outposts: Community Platform
June 14 - September 5, 2025
STNDRD, Granite City Art District, Granite City, IL
Reception June 14, 6 - 8:30 pm
Art Outposts collaborators include: North Branch Projects (Chicago, IL); The Waiting Room (Kansas City, MO); Abstract Lunch (Fennville, MI) Sit Stay (Union, IL); Workshop for Independent Publishing (Minneapolis, MN); Yes Project Space (Chicago, IL); Wildfruit Projects (St. Louis, MO); Purple Window Gallery (Chicago, IL)
8 midwestern, artist-run spaces collaborate to create a structure that celebrates community connections across five state lines. Each artist-run space will curate a portion of this installation from their community or develop a project from within their organization. Workshop for Independent Publishing will contribute a catalog in the form of a zine to achieve the collaboration and serve as ephemera for exhibitors and visitors to takeaway.
UPCOMING EXHIBITION
Transference
Angelina Diana and Amy Shelton
September 13 - 31, 2025
Reception
September 13, 6 - 9 pm
Opening Reception
September 13, 6 - 9 pm
Gallery Hours
September 14, 1 - 4 pm
September 20, 1 - 4 pm
September 27, 1 - 4 pm
and by appointment
A poetry reading will be held on September 14
at 2 pm, curated by Samiah Fulcher.
Continual Coweaving
Millicent Kennedy
September 6 - November 1, 2025
STNDRD, Granite City Art District, Granite City, IL
Opening Reception, September 6, 5:30 - 8 pm
STNDRD, Granite City Art District, Granite City, IL
Opening Reception, September 6, 5:30 - 8 pm
Continual Coweaving is built from remnants of past projects and experiments on textiles from Millicent Kennedy’s practice. It includes garment fragments, natural dye samples, and fabric remaining from completed artworks. All these separate parts are hand sewn into cords and rejoined weaving a web reminiscent of the orb weaver spider. Kennedy’s interest in spider webs is related to their impermanence and ongoing need of the spider to return to and repair them. For the spider this is a solo practice, but for people mending and rebuilding is a deeply communal practice if we hope to sustain these repairs. Over the course of this installation visitors are invited to add their own used textiles to the web, and share about the materials history in the QR code provided at the exhibition site.
